Score: Two-and-a-half out of five spiders
Brief: The movie adaptation of our favorite web-swinging super hero’s creation gets mired by bad pacing and sloppy CGI. Oh, we also get to see Spider-Man for a few minutes as well.
You would have thought that the translation of Marvel’s hottest property, the X-Men’s skyrocketing popularity in the late 80’s aside, would have been come a lot sooner. Unfortunately it looks like we’ll have to wait a bit longer to see Spider-Man at any great length, for the new movie, “Spider-Man,” is ultimately a character drama rooted in an in-your-face love story.
The surprising thing, however, is this is actually where “Spider-Man” shines: Viewing the relationship between our stereotypical nerd, Peter Parker, and the beautiful girl-next-door (literally!), Mary Jane Watson, to whom has loved from afar since the second grade. “Spider-Man” is more of an excuse to watch Peter and Mary Jane fill the screen with their brilliant chemistry and emotions, while the annoying side-plot of Spider-Man and the Green Goblin pulls you back into reality with their over-the-top battles and lackluster CGI. Just when “Spider-Man” grabs on to you and emotionally involves you, Spider-Man beats up some thugs or awkwardly swings through the cityscape of New York, reminding you that you’re watching a movie.
This is no more apparent than at the first showdown between Spider-Man and the Green Goblin, during a parade in downtown New York where the Green Goblin/Norman Osborn seek retribution for being pushed out of Oscorp via a nasty group of board members. During the battle a CGI Spider-Man leaps from CGI balloon character to character, in an attempt to save the endangered Mary Jane while a CGI Green Goblin flies around, laughing manically.
These encounters are scattered through this origin story while Peter Parker attempts to come to grips with his newfound powers. Sadly, though, the pacing of the movie is quite poor, with long stretches of seemingly nothing happening. It’s almost as if the producers of the movie resigned themselves to having to tell the origins of Spider-Man without really wanting to make it at all interesting. The death of Uncle Ben is a notable exception to this problem.
Die hard fans of the comic book hero (such as yours truly), will find little to complain about, as the creative licenses are few and understandable. Perhaps the largest (and most disturbing) variation is that Spider-Man’s webs are in fact a natural ability, versus a bio-chemical construction of science wiz Peter Parker. This makes sense, considering the fact that Peter is now relegated to being a high school senior for most of the movie. This is also another one of the more disappointing aspects of “Spider-Man,” where one of Spider-Man’s greatest assets, his intellect, does not make an appearance. Spider-Man either punches, kicks, or flips his way out of trouble. The Green Goblin is the only one to actually display any intelligence, leading Spider-Man into not one, but two traps, and even capturing the web-slinger with relative ease. Even Spider-Man’s trademark battle banter is naught to be found. For all these failings, however, “Spider-Man” does achieve what it most certainly needed to do most of all: Set the groundwork for future movies.
The principle actors all do a wonderful job, although Harry Osborn has an unusually large role. Aunt May (Rosemary Harris) is kindly and beautifully portrayed and even the brief appearance of Uncle Ben (Cliff Robertson) is done with class and style. The real champions of the movie are Peter Parker and Mary Jane Watson. Tobey Maguire and Kirsten Dunst have a real chemistry and their frequent appearances opposite one another are what make “Spider-Man” enjoyable to watch. Dunst in particular is pretty amazing. Putting any emotion under the mask of Spider-Man isn’t a problem for Maguire, as the hero has, at best, only 15-20 minutes of screen time, and of those, in the final battle, his mask is conveniently ripped apart. This is fortuitous, as the big payoff of “Spider-Man” is the final battle where Peter Parker has to dig deep within himself to find the stuff of heroes in order to defeat the Goblin—and we get to see this emotion.
Love it or hate it, and everything in between, it’s nice to finally see the Amazing Spider-Man on the big screen at last.
Pros:
Tobey Maguire and Kirsten Dunst are wonderful together
Spider-Man, albeit briefly, finally on the big screen
Cons:
Bad pacing/editing through the first hour
CGI by Crayola
Too little Spider-Man
Action scenes are disappointing and…comical